we built this to leave
These pieces are each a method of drawing. As a draughtsman, I traverse distance by cutting, threading or tracing across a field of paper. An aesthetic result is almost circumstantial, as each mark records the path behind it. This is a marker of where I am, and of where I’ve been.
Some of these photos are of single components or a small collection of panels meant to be accumulated to form larger pieces - the work grows or shrinks depending on the size of the space they're installed and ideally, would cover as large a space as possible. I'm interested in the mysticism and power of multiplicity—form occurs through the self-leveling patterning of many imperfections.
These pieces are each a method of drawing. As a draughtsman, I traverse distance by cutting, threading or tracing across a field of paper. An aesthetic result is almost circumstantial, as each mark records the path behind it. This is a marker of where I am, and of where I’ve been.
Some of these photos are of single components or a small collection of panels meant to be accumulated to form larger pieces - the work grows or shrinks depending on the size of the space they're installed and ideally, would cover as large a space as possible. I'm interested in the mysticism and power of multiplicity—form occurs through the self-leveling patterning of many imperfections.